30 Seconds to Mars - LOVE LUST FAITH + DREAMS
30 Seconds to Mars have alway been a band associated with ‘epic’ music. Epic in the sense of grandeur, atmospheric, spacey compositions, big big songs. Since they released A Beautiful Lie back in 2005 they have been propelled into the mainstream, and their last release This Is War in 2009 only catapulted them even more. Now they are back with LOVE LUST FAITH + DREAMS, much awaited, but does it live up to its predecessors?
The grand opening of Birth introduces the album, leading you into Conquistador which is one of the strongest tracks here. A big drum beat and a strong riff, it seems to resemble previous work well and gives optimism for what is to come. Up In The Air, the first single is also a decent track, with some very strong points, although a little repetitive.
The band seem to have taken a more experimental route on this record, choosing a more electronic sound. Sadly, it hasn’t really done much in the way of creating an exciting album, and it does end up becoming somewhat predictable. There is a lot of instrumental, which is never a bad thing, but when it all begins to sound so similar, and is pretty much used to fill the album up, its not as effective. There is a huge use of strings and synth used as lead melody rather than a guitar, which is a cool idea and at first sounds good, but again, it is totally overused.
The songs themselves are good songs, Bright Lights, City of Angels etc, but they don’t seem to change. The level and the tone of the album stays the same throughout, it doesn’t move anywhere. Gone are the days of the more metal edge of their self titled debut, which i would personally love to hear more of in their recent stuff, instead it is replaced with overproduced ‘sounds’ to put it basically. There is however, towards the end a good track in the form of Do or Die which is very typical 30STM. Quick paced, big melodies and harmonies, the it uses the electronics effectively, leaving a brilliant sounding song. Sadly though, a handful of decent songs is not enough to save the record.
LOVE LUST FAITH + DREAMS had the potential to be a great album had the band combined the many elements and styles they have previously offered to create a unique sound. Instead it just sounds uninspired and its a real shame.
New Nine Inch Nails album THIS year!
Trent Reznor confirmed yesterday that Nine Inch Nails have signed with Columbia and WILL be releasing a new record this year.
He said in a press release, “I’ve been less than honest about what I’ve really been up to lately. For the last year I’ve been secretly working non-stop with Atticus Ross and Alan Moulder on a new, full-length Nine Inch Nails record, which I am happy to say is finished and frankly fucking great. This is the real impetus and motivation behind the decision to assemble a new band and tour again. My forays into film, HTDA and other projects really stimulated me creatively and I decided to focus that energy on taking Nine Inch Nails to a new place. Here we go!”
The 2013 incarnation of NIN features Reznor, Adrian Belew of King Crimson, and Josh Eustis of Telefon Tel Aviv, as well as previous NIN collaborators Robin Finck, Alessandro Cortini, and Ilan Rubin. We are pretty excited about this, it is bound to be brilliant!
The band will play Reading and Leeds festivals this August.
The Skints - Newcastle Academy, 23.05.13
The Cult announce ten date Electric tour
The Cult have announced Electric 13, a ten date tour across the UK this October.
"The Cult’s life blood has always been playing live, we are between albums and decided to continue the momentum created by Choice of Weapon, stay in people’s hearts and minds. As Love Live was such an incredible experience we have decided that performing the Electric album, an event that has been demanded by our fans and followers as the perfect live set to play in 2013." - Ian Astbury.
The Cult are one of the most influential and controversial bands of the late 20th century, making their mark selling millions of albums, headlining venues worldwide and fusing the worlds of art and fashion with music. Electric, released in 1987 is one of the bands most successful albums and saw them reach new levels of popularity around the world.
The band will perform Electric, raw and unfiltered on tour in 2013, an event branded as Electric 13. This will be one not to miss as The Cult have never performed the album in its entirety. The live show will also include a second set pulling from the band’s eight other studio albums.
Tickets are onsale from 9am on Friday 17th May.
HIM - Tears on Tape
It’s hard to believe that HIM have been bringing us their ‘love metal’ sound for almost twenty years now. It seems like a lifetime since we last heard from them despite their last album only being released in 2010, but after a few delays and a change of record label, they are back with Tears on Tape, is it a return to form?
The first single, All Lips Go Blue is a furious mix of noisy guitar and tender vocals, a really great track to kick off the album. The same goes for Love Without Tears, melodic with romantic lyrics, proving the the same formula for gloomy, dark, gothic rock that the band have perfected over the years still works. Some tracks bring the metal element of the band to the forefront a little more, such as I Will Be The End of You, which has a great riff. The title track, Tears on Tape, is a little more on the poppy side, with some nice keyboard sounds and a big sing along chorus. The closing of the album with W.L.S.T.D and Kiss The Void form quite a finale. Dark and haunting synths with an epic scream from Ville Valo, again highlighting the heavier side of the band.
Tears on Tape gives HIM fans exactly what they want. Themes of heartbreak, obsession, the darker side of love, more of what they do best. If you are a HIM fan you will love it, if not, then this record doesn’t give you anything new to win you over, it is however still a very impressive album.